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Sunday, April 14, 2024

Carve an Acanthus Leaf – FineWoodworking


When educating how one can carve an acanthus leaf, I usually ask my woodcarving college students if they’ve ever seen an acanthus leaf. Normally a minimum of half of them say they’ve by no means even heard the phrase, a lot much less seen the precise plant. I clarify that it’s the leaf that curls in layers round a Corinthian capital, the leaf that repeats alongside the sting of a mirror or image body, and the scrolling, curling leaf generally seen adorning vintage furnishings; they usually uncover that there’s an precise plant behind this widespread design with millennia of historical past.

This article’s acanthus sample is your entry level into that historical past. Whereas this particular design is loosely primarily based on the American Rococo bracket on a interval fire in a 1780s residence in Charleston, S.C., it’s additionally knowledgeable by numerous different carved acanthus leaves I’ve studied. After drawing completely different variations by way of the years by merely copying earlier designs, I found a free mathematical method. The simplest solution to perceive the small print is to start with a symmetrical leaf, just like the one I carve right here. From there you’ll be able to create extra curling, ornamental leaves in countless variations. Quite a few kinds have tailored this leaf, and you have to be no completely different.
For those who do adapt your personal, contemplate whether or not to make use of completely different gouges. I identify particular instruments for every step, however different designs, be they larger, extra ornate, or asymmetrical, might require gouges of different sweeps and widths.

Instruments and Supplies

Noticed out the clean

Mary is tracing over a line drawing of the acanthus leaf

Use carbon or graphite paper to hint the design onto your carving clean. Word that the tracing has much less element, like veining, than the completed carving. It’s because the preliminary carving would take away a lot of these particulars.

Mary cuts out the parameter of the leaf at the scroll saw.

Noticed out the clean. Minimize as near the perimeter as potential. You need to use a bandsaw or fretsaw, however Could prefers a scrollsaw for its mixture of ease and management.

Carve the vein of the acanthus leaf

Mary applies the cut out of the leave onto a larger backer board. There is double sided tape placed to the bottom of the leaf that will adhere the two.

Safe the clean to a backer board with double-sided tape or a paper joint. This allows you to clamp the backer board somewhat than the carving, providing you with full, unobstructed entry to the leaf.

Mary carves the middle vein. A long curl of wood comes from the gouge.

Use a V-tool alongside either side of the center vein. These cuts ought to begin 1⁄16 in. deep however get shallower as they attain the tip of the leaf. Make a number of passes to succeed in the total depth and guarantee clear, sharp edges.

Mary carves the outside of the vein.

Decrease the leaf close to the center vein. Use a #3–14mm gouge, holding it bevel down whereas gently rounding it away from the vein till about ¼ in. into the leaf. A bench chisel held bevel-down will even work.

Outline secondary lobes and eyes

Mary carves the secondary lobes

Use a V-tool the place the secondary lobes overlap. Minimize from the middle of the attention and alongside the sting of the overlapping lobe. Be sure to depart the road seen, and that you just lower on the facet of the decrease lobe.

Kind the curved backside of the attention earlier than extending the partitions. Maintain a #11–3mm veiner at 45° for the curved, decrease finish of the attention. Then carve either side of the attention with a #3– 6mm to finish the teardrop form. These cuts ought to be at a slight angle in order that they meet at a pointy nook.

Mary continues to carve the second lobe

Outline the secondary lobes’ higher edge. Make a vertical lower straight on the road. Use a #5–14mm for the longer sections and #3–6mm for the smaller sections. These cuts ought to join with the attention’s partitions.

Decrease the lobe. Use a #3–6mm gouge. These cuts create the phantasm that the lobes overlap.

Carve the pipes

Carve alongside the pipe. With a #11– 3mm gouge, make two sweeping cuts down the leaf to outline the pipe. These cuts ought to begin on both facet of the attention, and converge as they attain the center vein.

Mary continues to carve.

On this design, these cuts additionally lengthen and curve across the eye to start shaping the leaf element. Spherical over any sharp corners with a #3–6mm gouge.

Curl the acanthus leaf ideas

Mary carves the edge of the blank

Spherical over the outer edges of the curling leaf. Use a #3–14mm and thoughts the grain course. Take a number of smaller slices to keep up management.

Mary caves the edge of the leaf

Decrease the leaf. Utilizing a #7–6mm, begin with a vertical cease lower alongside the structure line (left). Observe up by angling the gouge 45° and carving towards the cease lower (proper) so the leaf tip seems prefer it’s curling below.

Veins and serrations

Mary carves the smaller veins in the middle of the leaf

Carve the first lobe’s heart vein. Utilizing a #11–3mm gouge, ensure this line curves in a pure, pleasing S form because it follows the lobe’s personal curl.

Notch the serrations utilizing a thumbnail lower. Carve these serrations with two cuts utilizing a #7– 6mm. Begin with a vertical chop that continues the serration into the leaf, then angle the gouge to take away a small triangular chip. This could give the looks that the lobes barely overlap.

Add depth to the lobes

Mary uses a wider gouge to drop the center of the lobes

Hole the lobes. The #8–10mm gouge’s sweep creates good dimension within the lobes. Decrease the center of the lobes in a number of passes if mandatory to keep up a clear, crisp floor. The lobes’ sharp, raised edges ought to comply with the curve of the leaf and gently movement towards the bottom of the leaf together with all different traces.

Be conscious of grain course. Don’t hesitate to show the gouge round to chop in the other way if the grain dictates it. You too can take rolling, slicing cuts for an improved floor, and to guard edges from breaking.

Carve the ultimate veins

Using a tiny gouge Mary carves the inside veins

Create the veins in every lobe. Use a #11–2mm and ensure the veins curve gently down the leaf and fade off with out overlapping.

Mary carves the base of the leaf.

A V-tool types the central V. This swooping inverted V, lower on the center vein, breaks up the in any other case massive, flat central space.

Around the leaves, wrinkle the pipes

Mary carves the edges adding a wrinkle

Soften the leaves. Utilizing a #3–6mm, which is a reasonably flat gouge, around the outer edges of the leaves in order that they appear like they’re folding away. Additionally barely spherical the perimeters the place they overlap the decrease lobes.

Mary continues the carving.

Use thumbnail cuts under every eye. Use a #7– 6mm to chop a pair of wrinkles below every eye utilizing the two-step thumbnail lower. These ought to get barely smaller as they go down the pipe.

Just a little on the acanthus leaf

The acanthus leaf grows within the rocky hills, woods, and grasslands of southern Europe, in addition to in Asia and Africa. The 2 species which have most impressed designers are acanthus spinosis and acanthus mollis. They resemble a thistle with massive, shiny, deeply lobed and pointed leaves, they usually produce lengthy spikes of white or purple flowers. They’re so prevalent in some areas that they’re thought-about a nuisance.

The primary bodily proof of the acanthus leaf in structure reveals up in Greece across the fifth century BC, specifically within the sharply pointed leaves of Corinthian capitals. From then on, the acanthus leaf clearly weaves by way of the artwork of numerous historic artwork durations, typically practically disappearing, however at all times re-emerging as a distinguished design component. The Roman Empire eagerly embraced all the sooner Greek ornamental arts, and it produced a richer, extra versatile acanthus leaf with a extra naturalistic really feel. Overlapping lobes and sharply outlined ripples within the leaf introduced new boldness and life. The Byzantine Empire altered the design again to the sharply angled Greek fashion, preferring symbolism over the extra lifelike Roman designs. This robust custom lasted for greater than 1,000 years. Ultimately the Romanesque, Norman, and Gothic durations rendered the leaf as extremely stylized and barely recognizable for a number of hundred years.

After the Darkish Ages, the Renaissance introduced an thrilling time of revival for classical ornamentation. The acanthus leaf re-emerged with new life and was once more realistically shaped and gracefully sculpted. Its magnificence tended to lean towards order, rhythm, and stability.
Later, in a daring try to flee this orderly nature, Baroque artisans introduced extravagance to their designs, and the acanthus leaf was no exception. A number of layers of twisting, intertwining, climbing leaves usually lined the interiors and exteriors of church buildings and palaces. This extravagance developed within the Rococo interval, when a lighter, extra whimsical method to design with extra delicate, asymmetrical acanthus leaves, together with a number of S- and C-scrolls, embellished partitions, ceilings, and furnishings. American kinds additionally emerged throughout this time with design components that borrowed acanthus kinds from throughout artwork durations.
Throughout the nineteenth century, acanthus leaves reappeared in quite a few revivals of earlier artwork durations, such because the Greek, Gothic, Rococo, and Renaissance kinds. Newer durations, corresponding to Arts and Crafts, Artwork Deco, and Artwork Nouveau, confirmed little proof of acanthus leaves of their designs.

Nonetheless, I’m assured it would come again. In any case, acanthus leaves adorn newly made tapestries, architectural particulars, and furnishings, even when this stuff are designed in a standard vein. It simply goes to point out that this exceptional leaf has impressed us for 1000’s of years, and it’s exhibiting no signal of withering away.

-Mary Could teaches carving at marymaycarving.com.

Get began carving

Whether or not you want to add a element to a field or chair, or embark on a full-fledged woodcarving journey, your journey begins with realizing the instruments you’ll need.

How to attract a primary acanthus leaf

Drawing helps you apply the leaf earlier than placing a gouge to wooden

Carving with battle

Alexander Grabovetskiy infuses his work with allegory concerning the conflicts of his life.

Instruments used:

Pfeil “Swiss Made” V-Parting Device #12 Sweep – 6mm

•6mm #12 sweep v-parting instrument

•Sq. tang deal with

•Octagonal hardwood deal with

•Alloy chrome-vanadium metal

Value: $43.92 on the time of writing

Pfeil “Swiss Made” Gouge #3 Sweep – 14mm

•Electronically hardened alloy chrome-vanadium metal blade
•European hardwood octagonal sq. tang deal with
•14mm #3 sweep gouge

Value: $40.10 on the time of writing

Pfeil “Swiss Made” Gouge #3 Sweep – 5mm

*Different to the #3 – 6mm which is briefly unavailable
•Electronically hardened alloy chrome-vanadium metal blade
•European hardwood octagonal sq. tang deal with

Value: $37.23 on the time of writing

Pfeil “Swiss Made” Gouge #7 Sweep – 6mm

Value: $38.18 on the time of writing

Pfeil “Swiss Made” Gouge #8 Sweep – 10mm

•Electronically hardened alloy chrome-vanadium metal blade
•European hardwood octagonal sq. tang deal with

Value: $42.01 on the time of writing

Pfeil “Swiss Made” Veiner #11 Sweep – 3mm

•Sq. tang deal with
•Octagonal hardwood deal with
•Alloy chrome-vanadium metal

Value: $42.96 on the time of writing

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